10월 25일 나온 따끈한 콘웰의 스카페타 시리즈 'predator' 입니다.
내용 나오니, 보기 싫은 사람은 보지 마소.

Why Ms. Cornwell? Why???, November 3, 2005

Reviewer: Buzz Smith (Texas, USA) - See all my reviews
I was terribly disappointed by Patricia Cornwell's latest book, Predator. I have been a big fan of the previous novels, but this one made me wonder if Cornwell hired a ghost writer. Without spoiling the plot, for those I can't dissuade from wasting their time reading this, there are plot lines that seem to be very important that peter out without any further mention, or resolution. Pete Marino, a character I have always liked, that seemed street-wise, if predjudiced, comes off as a brutish bufoon, and hints are given as to the nature of his moodiness, but again, no resolution. Her attempts to give us the criminal's point of view come off as silly and repetitive, and I guess I now have a very good idea what an MRI machine sounds like, but have no idea why it was so important.
My advice: if you love Kay Scarpetta, Benton Wesley, Pete Marino, et al, let them rest in peace in your memories, but let them go. They're dead now.

Very Disappointing, November 3, 2005

Reviewer: Marc Ruby "The Noh Hare™" (Warren, MI USA) - See all my reviews
(TOP 10 REVIEWER)    (REAL NAME)   
I've been reading Patricia Cornwell's Scarpetta novels on and off for some time now. There was a time when these stories were innovative, and even groundbreaking in their introduction of the strong female lead into the serial killer, suspense genre. But something happened along the way. I don't know if Cornwell changed her story lines for her own reasons or due to bad advice, but rather than forensic suspense the stories turned into adventures in dysfunctional families. Scarpetta became a flaming codependent trying to mother Lucy, whose goal in life was staying in trouble. And Pete Marino, never the most likeable of characters became increasingly large, loud and obnoxious. To put it bluntly, the killers were often the most attractive characters in the stories.

Cornwell long ago fell off my 'buy in hardback' list. But when I picked up Predator the blurb sounded pretty good, and I decided to give Cornwell another try. The story finds Kate Scarpetta, Pete Marino, and a whole cast of crimestoppers working at the National Forensic Academy, the institute Lucy created so that she could work as a free agent. All isn't well at the Academy, strange events and thefts are interspersed with intense personality conflicts and mistrust until it is obvious that a crisis is brewing.

In the meantime a subtle series of deaths and disappearances come to light that seem to link Basil Jenrette, an imprisoned serial killer who has become the subject of Benton Wesley's research into the deviant mind, with killers down in Florida where the academy is. The connections surface painstakingly slowly after in depth forensic work. This is the formula which made Cornwell a success, and I hoped for a return to the Scarpetta of the early stories.

Unfortunately, that was not to be. Most of the suspense is about which character will have an argument with another, not with the forensic work. Kate Scarpetta literally shotguns the research work, creating a haphazard web of clues and red herrings. If it wasn't for Pat Cornwell's determination to give the whole story away by continually inviting the reader into the mind of the killer (and a very boring killer he is, by the way) the plot would have been almost impossible to follow. It is almost as if Cornwell wrote a bunch of short episodes and then put them in a semblance of order without any effort at continuity. I'll probably never know whether the ending was intended to be a cliff hanger or if the story was abandoned to its loose ends.

It's a shame that this series has been allowed to degenerate the way it has. Cornwell seems to be convinced that if she cannot breath new life into her characters she can succeed by making them so pitiable that the reader will succumb to guilt and read the yet another book. My recommendation is that, under no circumstances buy the hardback. Wait for the paperback if you will, although you may find the time best spent reading something else.

어쨌든동 현재 아마존 미스테리 1위다. 우어어어어. 도대체 무슨 일이!
이 전 Tracy 까지 홀랑 다 샀는데. 예전에 봤을때는 신간이라 몰랐는데, 지금 보니 별 두개다!  ( 처음 봤다. 별 두개!) 흑. 흑. 흑.


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panda78 2005-11-04 01:39   좋아요 0 | 댓글달기 | URL
우어? 별 한 개 두 개? 웬일이래요? 궁금해 죽겠네-
 
 전출처 : 물만두 > 제프리 디버의 링컨 라임 시리즈

 * The Bone Collector (1997)본컬렉터

 * The Coffin Dancer (1998)   코핀 댄서

 * The Empty Chair (2000)

 * The Stone Monkey (2002)

 * Vanished Man (2003)

 * The Twelfth Card (2005)


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 전출처 : 물만두 > Robert van Gulik - Judge Dee (디공)

  Dee Goong An (1949) = Celebrated Cases of Judge Dee

  The Chinese Bell Murders (1958) 쇠종 살인자

  New Year's Eve in Lan-Fang (1958)

  The Chinese Gold Murders (1959)

  The Chinese Lake Murders (1960)

  The Chinese Nail Murders (1961)  쇠못 살인자

  The Haunted Monastery (1961)

  The Red Pavilion (1961)

  The Chinese Maze Murders (1962)

  The Lacquer Screen (1962)

  The Emperor's Pearl (1963)

  The Monkey and the Tiger (1965)

  The Phantom of the Temple (1965)

  The Willow Pattern (1965)

  Murder in Canton (1966)

  Judge Dee at Work: Eight Chinese detective stories (1967)

  Necklace and Calabash (1967)


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 전출처 : 하루(春)님의 "전문가가 뽑은 인터넷서점 1위?"

y사는 포장 박스에 '책과 문화를 사랑하는 yes24 고객님의 물건입니다. 부디 소중하게 다루어 주십시오. ' 라고 써 있어요.

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하루(春) 2005-11-03 22:44   좋아요 0 | 댓글달기 | URL
질문 있어요. 어떻게 코멘트만 따로 퍼오는 건가요?

하이드 2005-11-03 22:45   좋아요 0 | 댓글달기 | URL
댓글 쓸때 아래의 '동시에 내 마이페이퍼에도 등록' 칸을 체크해주시면 되요. ^^
 
톰 피터스 Wow 프로젝트 1 - 내 이름은 브랜드다, KI신서 421
톰 피터스 지음, 김연성.서진영 옮김 / 21세기북스 / 2002년 3월
평점 :
품절


속물근성을 떨치지 못한 사업가들도 이제는 끝이다. 조직 안의 인간은 마지막 숨을 헐떡이고 있다.
새 시대? 오기 마치의 시대!
노벨상 수상자 솔 벨로 소설의 주인공 오기 마치는 이렇게 말했다. " 나는 늘 그렇듯이 자유롭게 일을 시작하고, 내 방식대로 경력을 쌓을 거라네." (22pg)

너 자신을 '브랜드' 화하라는 톰 피터스의 외침은 머릿말서부터, 책장을 덮는 마지막 순간까지 최면을 건다. ' 그렇다. 당신은 할 수 있다. 안 그러면, 이 책을 쓰지도 않았다.'  책은 50개의 행동강령과 그에 따른 200여개의 행동법칙으로 이루어져 있다.

몇가지 써먹을 행동강령들을 뽑아보기 위해 훑어보지만, brand you 의 수명은 지금 읽기에는 좀 닳아버렸다고나 할까. '일을 프로젝트화 하고' , 모든 프로젝트화된 일을 ' 와우! 감탄사가 나오도록 하고', '너 자신을 와우!의 핵심요소화하라' 나  혹은 '괴짜와 어울려라'  , '인간관계를 만드는데 힘써라' 등은 톰 피터스의 글을 볼 때마다 귀에 딱지가 앉도록 반복되는 이야기이다. 그 에센스를 모아 이 책을 만들었다.

미국의 저명한 경제전문지 '포춘' 에서 ' 우리는 톰 피터스의 세계 안에 살고 있다' 고 했다.  다만 20세기에 나온 이 책을 지금 읽기에는 새로운것이 없고,  다시한번 다짐하게 하는 만고의 진리도 없는듯하여 지루하다. 한가지 위안점이라고 한다면  두번째 책인 '나의 일은 프로젝트다' 는 이 책보다는 더 낫다는거. 세번째 책은 안 읽어봐서 모르겠지만, 덜 익숙한 개념일수록 최면에 걸리기는 더 쉬울지니. 아멘.

                                                                                                         


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