But I recall vividly enough that the response most elicited, in general, to these restless appeals was the rather grim admonition that romantic and historic sites, such as the land of Italy abounds in, offer the artist a questionable aid to concentration when they themselves are not to be the subject of it.
- P12


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[피오나 님의 글 중 일부를 옮겨 적은 것입니다.]

[북플] 영국 드라마 <셜록 홈즈>에서 주인공 셜록이 애용한 것으로 유명해진 ‘기억의 궁전‘이라는 기억술이 있다. 드라마에서 셜록은 자신의 상상 속 공간인 기억의 궁전에 들어가 잊고 있던 지식을 선명히 떠올리며 되살린다. 이는 고대 로마에서 법전 등을 외우기 위해 사용했던 암기법으로, 기억하고자 하는 대상을 익숙한 장소와 연합시키는 부호화를 통해 기억력을... 계속읽기
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It is a long novel, and I was long in writing it; I remember being again much occupied with it, the following year, during a stay of several weeks made in Venice. I had rooms on Riva Schiavoni, at the top of a house near the passage leading off to San Zaccaria; the waterside life, the wondrous lagoon spread before me, and the ceaseless human chatter of Venice came in at my windows, to which I seem to myself to have been constantly driven, in the fruitless fidget composition, as if to see whether, out in the blue channel, the ship of some right suggestion, of some phrase, of the next happy twist of my subject, the next true touch for my canvas, mightn‘t come into sight.
- P11


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It differed from its two predecessors, however, in finding a course also open to it, from month to month, in "Macmillan‘s Magazine"; which was to be for me one of the last occasions of simultaneous "serialization" in the two countries that the changing conditions of literary intercourse between England and the United States had up to then left unaltered.
- P11


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PREFACE

"The Portrait of a Lady" was,, like "Roderick Hudson," begun in Florence, during three months spent there in the spring of 1879. Like "Roderick" and like"The American," it had been designed for publication in "The Atlantic Monthly," where it began to appear in 1880. - P10


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